Saturday, February 18, 2012

62nd Ace Eddie Honours: The Descendants, The Artist, Rango TV Breaking Bad, Homeland, Curb Your Enthusiasm

Beverly Slopes, February 18 The Descendants, (edited by Kevin Tent, A.C.E.) as well as the Artist (edited by Anne-Sophie Bion & Michel Hazanavicius) won Best Edited Feature Film (Drama) and greatest Edited Feature Film (Comedy or Musical) correspondingly within the 62nd Annual ACE Eddie Honours tonight where trophies were given out in nine (9) categories of film, television and documentaries. The black-tie ceremony happened inside the Worldwide Ballroom in the Beverly Hilton Hotel using more than 1,000 taking care of celebrate time best editing. Rango (edited by Craig Wood, A.C.E.) won Best Edited Animated Feature Film and Freedom Riders (edited by Lewis Erskine & Aljernon Tunsil ) won Best Edited Documentary. Television individuals who win incorporated Curb Your Enthusiasm – Palestinian Chicken (edited by Steven Rasch, A.C.E.) for top Edited Half-Hour Series for Television, Breaking Bad Face Off (edited by Skip MacDonald) for top Edited One-Hour Series for Commercial television, Homeland Pilot (edited by Jordan Goldman and David Latham) for top Edited One-Hour Series for Non-Commercial Television, Cinema Verite (edited by Sarah Flack, A.C.E. and Robert Pulcini) for top Edited Miniseries or Movie for Television, and Anthony Bourdain – No Reservations Haiti (edited by Eric Lasby) for top Edited Reality Series. Students Editing Competition champion was Eric Kench of Video Symphony who outshine hundreds of rivals from film schools and schools across the country. Esteemed film editor Anne V. Coates, A.C.E. presented the ACE Eddie Award for the champion. Alexander Payne received the ACE Golden Eddie Filmmaker of year recognition provided to him by Reese Witherspoon and also the editor round the Descendants and several other past projects, Kevin Tent, A.C.E.. Lifetime Career Achievement Honours visited industry veterans Joel Cox, A.C.E. and Doug Ibold, A.C.E. presented by industry luminaries Clint Eastwood and Dick Wolf correspondingly. Their careers were layed out with clip reels and praise from pals and co-employees through the affair. The evening was presided over by ACE Leader Randy Roberts, A.C.E. Becoming Master of Occasions was actor and comedian Patton Oswalt. It had been a repeat performance for Oswalt who situated the ACE Eddies once before. Other presenters incorporated a thrilling-star make including Laurie Holden within the hit AMC series The Walking Dead, actor Kyle Chandler (Friday Evening Lights, Super 8), Erika Christensen (Motherhood), Robert Forster and Matthew Lillard (The Descendants), Penelope Ann Burns and Missi Pyle (The Artist), Jesse Faison (The Exes), Hannah Simone (New Girl), Jonathan Silverman and Jennifer Finnigan (Better Together With You). Special site visitors incorporated Judy Greer within the Descendants, there to assist her director Alexander Payne. Individuals who win FOR 62nd ANNUAL ACE EDDIE Honours BEST EDITED FEATURE FILM (DRAMATIC): The Descendants Kevin Tent, A.C.E. BEST EDITED FEATURE FILM (COMEDY OR MUSICAL): The Artist Anne-Sophie Bion & Michel Hazanavicius BEST EDITED ANIMATED FEATURE FILM: Rango Craig Wood, A.C.E. BEST EDITED HALF-HOUR SERIES FOR TELEVISION: Curb Your Enthusiasm: Palestinian Chicken Steven Rasch, A.C.E. BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION: Breaking Bad: Face Off Skip MacDonald BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION: Homeland: Pilot Jordan Goldman & David Latham BEST EDITED MINISERIES OR Movie FOR TELEVISION: Cinema Verite Sarah Flack, A.C.E. & Robert Pulcini BEST EDITED DOCUMENTARY: Freedom Riders Lewis Erskine & Aljernon Tunsil BEST EDITED REALITY SERIES: Anthony Bourdain – No Reservations: Haiti Eric Lasby STUDENT COMPETITION Eric Kench Video Symphony AMERICAN CINEMA EDITORS (ACE) is certainly an honorary society of motion picture editors founded in 1950. Film editors are selected into membership according to their professional achievements, their dedication for the education of others in addition to their persistence for the craft of editing. The objectives and reasons in the AMERICAN CINEMA EDITORS is to advance the science and art in the editing profession to enhance the entertainment price of movies through getting artistic pre-eminence and scientific achievement inside the creative art of editing to produce into close alliance people editors who want to succeed the prestige and dignity in the editing profession.

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